Here my CV up to July 2026.

empirical aesthetics poetry, empirical aesthetics poetic meter, empirical aesthetics of poetry, aesthetic perception of meter, aesthetic perception of poetic rhythm, perception of poetic meter, rhythm perception poetry, experimental linguistics poetry, experimental metrics, experimental study of poetic meter, empirical study of meter, empirical study of poetic rhythm, experimental study of meter, experimental study of rhythm in poetry, experimental poetics and meter, experimental poetics and rhythm, poetry perception, poetic rhythm perception, metrical perception, metrical perception in poetry, perception of rhythm in poetry, perception of ternary rhythm, perception of anapestic rhythm, perception of anapaestic rhythm, cognitive perception of meter, cognitive poetics meter, cognitive poetics rhythm, cognitive processing of poetic meter, cognitive processing of rhythm in poetry, meter and cognition, poetry rhythm and cognition, metrical form and cognition, metrical form and aesthetic perception, poetic form and aesthetic perception, metrical aesthetics, aesthetics of meter, aesthetics of poetic rhythm, aesthetic effect of meter, aesthetic effect of rhythm, aesthetic effect of anapest, aesthetic effect of ternary rhythm, aesthetic experience of meter, metrical complexity and perception, rhythm and aesthetic judgment, meter and aesthetic judgment, affective value of poetic meter, affective value of poetic rhythm, binary meter perception, ternary rhythm perception, binary ternary rhythm perception, binary and ternary meter perception, binary vs ternary meter, perception of binary and ternary rhythm, experimental comparison binary ternary meter, line length and meter, line length and rhythm, verse length and meter, verse length and rhythm, poetic line length perception, line length and aesthetic perception, metrical context, metrical context effects, metrical context and perception, context effects in meter, context effects in rhythm perception, metrical expectation, metrical expectations in poetry, rhythmic expectation in poetry, weak elements in meter, weak prosodic elements, weak prosodic elements in poetry, weak elements in phonology, weak elements in prosody, weak metrical elements, weak metrical positions, prosodically weak syllables, weak syllables in meter, additional syllables in meter, additional syllables in poetry, extra syllables in meter, extrametrical syllables, extrametrical syllables in poetry, additional metrical positions, syllabic variation in meter, metrical deviation and perception, metrical variation and perception, metrical mismatch and perception, metrical irregularity and perception, prosodic weakness and perception, perceptual salience of weak syllables, metrical salience, prosodic salience, acoustic analysis of poetry, acoustic analysis of poetic rhythm, phonetic analysis of poetic rhythm, Praat poetry analysis, Praat prosody poetry, Praat metrical analysis, acoustic correlates of meter, phonetic correlates of meter, experimental phonetics poetry, poetry reading prosody, prosody of poetry reading, performed rhythm in poetry, meter and performance rhythm, poetic meter and linguistic structure, meter phonology interface, poetic meter and phonology, phonology of poetic meter, prosodic phonology and meter, poetry and prosodic phonology, prosodic structure of poetry, metrical phonology, prosodic hierarchy and meter, phonological phrase in poetry, phonological phrase and meter, phonological phrase accent, phonological phrase stress, Italian phonological phrase, prosodic phrasing in poetry, prosodic phrasing and meter, prosodic constituents in poetry, stress in Italian poetry, metrical stress in Italian poetry, lexical stress and meter, phrase stress and meter, stress maximum, stress maximum in poetry, metrical prominence in poetry